Mother and Child
Lynn Mundell04.13.18
“His design had 1,500 pieces in 9 different colors—from beige for the skin to electric blue for the pantsuit.” New fiction by Lynn Mundell.
SYNCHRONICITY, CATALOGUE
Jack Meriwether04.11.18
“hair bleach is a small price to pay / for a whole new / personality.” New work by Jack Meriwether.
NOT EVERY DEAD BODY GIVES UP A GHOST: A CONVERSATION WITH ALANA I. CAPRIA
Jason Teal04.10.18
Jason Teal digs in with Alana I. Capria about her horrific, Lynchian fairy tale novel Mother Walked into the Lake.
Waiting for Goals / [to be chanted]
Andrew Wells04.09.18
Andrew Wells’s rhizomatic essay on soccer quickly finds its branches tracing out into a meditation on play, institutionalization, male violence, commercial publishing, and so much more.
THEN I BUST OUT: Review of Argentinosaurus (130 ft by 24 ft; 80 tons out of 10)
Amy Lawless & Jeff Alessandrelli04.06.18
The final installment of Lawless and Alessandrelli’s THEN I BUST OUT takes the form of a review of the Argentinosaurus.
Poem of the Llama
Nick Sturm04.04.18
“Only a few of us remember it’s been raining / in the capital all along, where we went like dawn / stealing the jewels from the pines, which is to say / the system’s neon underwear has been shining through / all along. ” A new poem by Nick Sturm.
What Could This Possibly Be the End Of?: On Kate Greenstreet’s The End of Something
Laura Carter04.03.18
Kate Greenstreet’s latest deepens her riveting, multi-voiced exploration of the impermanence of life and love. Laura Carter reviews.
Three Jawns: Wolkers, Wild, Wild Country, & Hamilton
Sarah Rose Etter04.02.18
This edition of Three Jawns explores the complicated pulse of Jan Wolkers’ Turkish Delight, the stirring cult hit documentary Wild, Wild Country, and Ann Hamilton’s at hand, a paper-based installation that resonates through emptiness.
“The Camera is for Someone Who Didn’t Bother to Be There”: Talking Art and Rock with Sarah Paul of Glass Traps
Thomson Guster03.29.18
Cleveland-based multimedia artist Sarah Paul speaks up about gender fluidity and performance, maintaining personal archives, surviving trauma, and so much more, in a profile by Thomson Guster of her life and work, on the occasion of the release of her band Glass Traps’ exhilarating self-titled debut album.
Zeno’s Paradox (of which he had several)
David Joez Villaverde03.28.18
“You once told me that no one memorable ever really dies. You were wrong.” New fiction by David Joez Villaverde.
