A look back at the stark, disorienting effect of Alejandro Jodorowsky’s first full feature film, the seminal Fando y Lis.
How can any artist escape the representative nature of an image without simultaneously utilizing images or representations? Paul Cunningham considers the question via a deep look at cocaine, Andy Warhol, and Marilyn Monroe in the work of Brazilian artist Hélio Oiticica.
Kati Heng talks to Chicago artist Corinne Mucha about her work, audience, and being a woman in the indie comic scene.
A conversation with artist Dean Sameshima about his practice, influence, the internet, and AIDS, by Thomas Moore.
Stuck inside? Hating life? Tired of winter? Join the club. But these three artists might make you want to keep on living.
Lucy Tiven provides an up close and personal excavation of the work and process of visual artist W.C. Bevan.
Janey Smith interrogates the definition, effect, marketability, and reception of contemporary art in the age of YouTube.