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Trash-Imagist Outlaw: The Cosmococas of Hélio Oiticica

Paul Cunningham

06.22.15

How can any artist escape the representative nature of an image without simultaneously utilizing images or representations? Paul Cunningham considers the question via a deep look at cocaine, Andy Warhol, and Marilyn Monroe in the work of Brazilian artist Hélio Oiticica.

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Mad Max: Fury Road with Sasha Fletcher

Sasha Fletcher

06.16.15

The conclusion of our Mad Max retrospective, with a deep gaze into its latest addition, Fury Road, with Sasha Fletcher.

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Mad Max Revisited (3): Beyond Thunderdome

Sasha Fletcher

06.10.15

The conclusion of our look back at the original Mad Max saga: Beyond Thunderdome, with Sasha Fletcher.

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Mad Max Revisited (2): Road Warrior

Sasha Fletcher

06.09.15

The second installment in our look back at the original Mad Max trilogy, moving now to Road Warrior, with Sasha Fletcher.

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Mad Max Revisited (1): The Original Mad Max

Sasha Fletcher

06.09.15

In the glow of Fury Road, we take a look back at the original Mad Max trilogy, close up to the screen with Sasha Fletcher.

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“Where Is The Madness That You Promised Me?”: A Conversation With Caveh Zahedi

Micah Gottlieb

05.18.15

Micah Gottlieb spans from Lars Von Trier to Joseph Cornell in conversation with filmmaker Caveh Zahedi upon the release of Digging My Own Grave, a 6-disc box set of his work.

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The Giant Possibilities of the Human Spirit: A Review of Furious 7

Eric Nelson

05.14.15

What can the Fast and Furious movies teach us about death? Eric Nelson reviews.

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Inside Ex Machina

Sabra Embury

05.04.15

Ex Machina bends the tech-thriller genre into bizarre love triangles and A.I. Sabra Embury reviews.

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Clouzot’s Wound: Lara Mimosa Montes on L’enfer

Lara Mimosa Montes

04.28.15

Lara Mimosa Montes revisits Henri-Georges Clouzot’s 1964 film L’enfer and asks, “What can be gleaned from thirteen (unlucky) hours of exposed footage?”

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TALKING TO HIMSELF: On Lars von Trier’s The Five Obstructions

Scott Esposito

04.13.15

Scott Esposito takes a close and critical look at Lars von Trier’s The Five Obstructions: “I’d rather have something to hang on to.”