RESULTS FOR Reviews
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That Kind of Trash: A Review of Ugly Girls

Jaime Fountaine

11.25.14

Jaime Fountaine tackles the memories of youth, the suburbs, and trash sparked by Lindsay Hunter’s Ugly Girls.

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Language Game or Echo Chamber? A Review of Emily Skillings’s Backchannel

Lucy Tiven

11.24.14

Can a bird still be powerful in a poem? Emily Skillings’s chapbook Backchannel provides positive evidence. Lucy Tiven reviews.

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A Review of Mallory Whitten’s Collected Poems & Stories

Zach Schwartz

11.18.14

Mallory Whitten’s debut collection gathers a wide range of styles into a coherent, surprising whole. Zach Schwartz reviews.

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A Review of Wong May’s Picasso’s Tears

Paul Cunningham

11.13.14

Composed over 34 years, Wong May’s latest collection harbors a mutative introspection on violence, art, America. Paul Cunningham reviews.

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A Review of Lydia Millet’s Magnificence

Stacey Levine

11.11.14

Lydia Millet’s latest extends a long track record of fearless, unnerving fiction. Stacey Levine reviews.

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Want as Oblivion: A Review of Merritt Tierce’s Love Me Back

Weston Cutter

11.06.14

Weston Cutter reviews Merritt Tierce’s tough and moving debut novel, Love Me Back.

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Unequal Temperament: A Review of Aphex Twin’s SYRO

Nicholas Grider

11.03.14

A historical and aesthetic-driven look at the context and affect of the first album appearing from Aphex Twin’s Richard D. James following more than a decade of silence.

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From Hitchcock to Jim Thompson: A Review of The Mad and the Bad

Mark Asch

10.28.14

New blood fills the rerelease of Jean-Patrick Manchette’s 1972 novel, The Mad and the Bad. Mark Asch reviews.

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The Void Becomes The Solid: A Review of Conversations With Beethoven

Nathaniel Popkin

10.14.14

Nathaniel Popkin uncovers the silence and response of Sanford Friedman’s inventive portrait of Beethoven through his struggle with his nephew Karl and his written notes.

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Games & Isolation: Guillaume Morissette’s New Tab

Alex Manley

10.09.14

Alex Manley reviews the fictionalized life, potential truths, and gameplay of Guillaume Morissette’s New Tab.