RESULTS FOR Reviews
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Doublings: A Review of The Mend

Tanner Tafelski

09.01.15

Tanner Tafelski looks at some of the mood at work in John Magary’s latest film, the comic-drama, The Mend.

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A REVIEW OF LEAH LAKSHMI PIEPZNA-SAMARASINHA’S BODYMAP

Grace Shuyi Liew

08.27.15

Leah Lakshmi Piepzna-Samarasinha’s Bodymap peers calmly and unflinchingly into deep trauma, both social and sexual. Grace Shuyi Liew reviews.

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One Abstraction: On Laodicea by Eric Ekstrand

Kent Shaw

08.20.15

Kent Shaw dives through the multiple abstractions and lyricism of Eric Ekstrand’s Laodicea.

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The Struggle Is Real: Morgan Parker’s Other People’s Comfort Keeps Me Up at Night

Gina Myers

08.13.15

What is BreakBeat poetry? Who is Miss Black America? Morgan Parker’s debut collection sheds a ton of necessary light. Gina Myers reviews.

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BENEATH THE SKIN: NEW TRADITIONS BY SOL PERSONA

Paul Cunningham

08.04.15

Paul Cunningham examines Pittsburgh’s Sol Persona, a solo project from Karter Schachner, for fans of Perfume Genius and How to Dress Well.

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Ideal Home Noise (2): McCarthy, Zacchilli, Dylan

Jeff Jackson

07.28.15

Jeff Jackson’s second installation of Ideal Home Noise rounds up new work from Tom McCarthy, Mickey Zacchilli, and Bob Dylan.

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Half Out Where

Nicholas Grider

07.23.15

How do we begin to talk about work that we can barely begin to identify the direction of?

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A Strawberry Bed: The Collages of John Ashbery and Guy Maddin

Todd Colby

07.21.15

Todd Colby reviews an exhibition of collages by John Asbhery and Guy Maddin at the Tibor de Nagy gallery in Manhattan thru July 31.

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Baked Goods: Encountering Sean Baker’s Cinema

Tanner Tafelski

07.20.15

Tanner Tafelski takes a look back at the three most recent films by Sean Baker, recently including Tangerine, a feature film shot via the iPhone5.

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More Than Love: A Review of Bound: An Ode To Falling In Love

Dalton Day

07.16.15

“In the future (which isn’t too far off now, about fifty years or so, I’d guess), the scientists of the world will study love. ” Dalton Day reviews a new collaboration between Carolyn DeCarlo and Jackson Nieuwland.