“Alexander’s poems oscillate between emotional realism and surrealistic image.” Lucy Tiven reviews.
Mort(e) extends the lineage of political allegory with charming, apocalyptic flair. Sabra Embury reviews.
Amber Sparks dives into the memory, loss, and apocalypse in Laura van den Berg’s Find Me.
As We Know redefines the writer/editor relationship by blurring all boundaries between them. Gina Myers reviews.
At his annual Oscar party Kevin Killian laments the lack of nominees of color while roasting the sure fire white winners playing numerous afflictions.
The End of Days explores the strange terrain between life and death. Jace Brittain reviews.
Norman Feliks investigates the hauntingly Nietzschean aspects of Andrew Worthington’s debut novel, Walls.
Mark Baumer goes deep line by line into the bloodbath of language that is Patricia Lockwood’s Motherland Fatherland Homelandsexuals.
Freely Frayed takes a look at how the work of Korean poets such as Don Mee Choi and Kim Hyesoon grapple with the US’s manipulation of their home country as a military toy. Joyelle McSweeney reviews.
Vi Khi Nao
Can orgasms backfire? Sade Murphy investigates sublime sexual territory and where it borders against the dream. Vi Khi Nao reviews.