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Sample Video For V.O.I.D. (Beta Test)

Cristine Brache & Jesse Darling

07.03.15

A poem-film by Cristine Brache and Jesse Darling, selected by Late Summer / Fall poetry editor, Penny Goring.

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The Road to Tar: Memory, Desire, & the Mouvement Panique in Jodorowsky’s Fando y Lis (1968)

Alex Gregor

07.02.15

A look back at the stark, disorienting effect of Alejandro Jodorowsky’s first full feature film, the seminal Fando y Lis.

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Green Lights

Shane Jones

07.01.15

“As a child I believed my parents never thought they would die because they never talked about dying.” Moving new short fiction from Shane Jones.

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WHITE OUT: An Interview with Michael W. Clune

Andrew Duncan Worthington

06.30.15

Andrew Worthington catches up with Michael Clune about his memoir of heroin addiction, White Out.

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NO LO PUEDO CONTROLAR

Katie Burke

06.29.15

A young woman finds parallels with the life of Selena Quintanilla in the midst of search for self and love.

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4 Poems Titled Chet Baker

Jay Deshpande

06.26.15

“I was a bicycle on fire in a field / marked out for ghosts.” 4 new poems by Jay Deshpande, selected by Summer poetry editor, Sasha Fletcher.

Trophy-Trio

Will Work for Money to Enter Literary Contests

Nicholas Grider

06.25.15

Nicholas Grider tunes in with an attempt at opening new discussion of how literary submission fees affect who gets published and why.

Fanzine Mason Jar

The Street of Despicable Behavior

xtx

06.24.15

“I continue my stride and when my feet enter its wet the vodka tastes glorious and my gown heavies at the bottom and your erection grows twice its size and you marvel that you can now grab it with two hands.” New fiction from xTx. Art by Danny Jock.

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72-Hour Hold

Michael du Plessis

06.23.15

A haunting autobiographical essay by Michael du Plessis: “She said, Once you struggle, it’s all lost.”

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Trash-Imagist Outlaw: The Cosmococas of Hélio Oiticica

Paul Cunningham

06.22.15

How can any artist escape the representative nature of an image without simultaneously utilizing images or representations? Paul Cunningham considers the question via a deep look at cocaine, Andy Warhol, and Marilyn Monroe in the work of Brazilian artist Hélio Oiticica.