escoria

Destruction and Decadence: An Interview with Juliet Escoria

Kristen Felicetti

04.24.14

Kristen Felicetti and Juliette Escoria get together to discuss the author’s series of stark, personal videos for her new debut, Black Cloud .

compost_330

Summer in a Glass

Christy Crutchfield

04.23.14

Animal bodies and insect bodies and human bodies bake together in a new story by Christy Crutchfield.

skyrat330

Blah Blah Blah: An Interview with Rauan Klassnik

Daniel Beauregard

04.22.14

Rauan Klassnik talks to Daniel Beauregard about penis enlargement procedures, poets in big shiny hats, and how death is a peach he can suck.

Wang-cancer-cell-NCI

Body Map: Memoirs of The Sick

Zach Savich

04.21.14

Body Maps is a series that invites authors to write about the body. In the third installment, Zach Savich talks about cancer.

Capture

P.O.

Noelle Kocot

04.18.14

A new, incantatory, forty word poem from Noelle Kocot, selected by Spring poetry editor, Molly Brodak.

The Alp

A Paradise Lost: A Review of Camenisch’s The Alp

Nathaniel Popkin

04.17.14

Nathaniel Popkin offers an incisive take on existential terror and the symphonic bursts of The Alp, just out from the Dalkey Archive.

1-330

Still Life with Bottles

Pete Hausler

04.16.14

An excerpt from Pete Hausler’s illustrated memoir, Staggertown: Notes from a Barstool.

spicegirls330

A Reappraisal of the Spice Girls

Kati Heng

04.15.14

Kati Heng listens for the first time to the Spice Girls’s debut (1996′s Spice), trying to get a contemporary read on the manufactured 90s Girl Power band.

unnamed

Which Type of Vague Relationship Are You In?

Guillaume Morissette and Tyler Crawford

04.14.14

The doctors are in: Guillaume Morissette and Tyler Crawford are here to help you figure out which of the twelve types of vague relationships you’re in and just how doomed that relationship is!

Capture3-330x147

On a Given Day

Peter Davis

04.11.14

The various quality levels of any given day are explored in a new poem by Peter Davis, selected by Spring poetry editor, Molly Brodak.