Theresa Russell: Regarding Tracey Emin
Lara Mimosa Montes06.05.13
A found-language / daydream in which we imagine that actress Theresa Russell reviews the Tracey Emin installation at the Museum of Contemporary Art North Miami, forthcoming in 2013, and is a fan.
The Impulse of the Irr: Darby Larson’s Irritant
Laura Carter05.28.13
The progress of the irr (Ur) is charted through the swimming sea of flowerpots and otherness. Hindu mythology? Creative process? The tale of what is both friend and foe exploded.
Three Chapbooks
Gina Myers05.22.13
New chapbooks by Marisa Crawford, Jared White, and Brenda Sieczkowski. Small volumes encountering the big issues: Rebellion! Love! Bears eating potato chips!
Monomania: Monomania
Thomas Moore05.17.13
A review of the new Deerhunter album, Monomania, waiting for the guitars to kick in.
A Review of Gina Myers’s Hold It Down
Laura Carter05.15.13
“Not more deep, more shallow. You take what you can.” A review of Gina Myers’s Hold It Down and the things that make up a life.
Arrival of One Adulthood: A Review of Amy Lawless’s My Dead
Gina Myers05.07.13
Out of the crucible and into the ossuary: Amy Lawless forges adulthood out of meditations on death, and a parade of elephants.
Images of Kept Women by Kate Durbin
M. Milks05.03.13
A tour through the Playboy mansion: Kate Durbin’s Kept Women as part travel brochure, part cultural archaeology.
SCENE: There is no land: Pop Corpse! by Lara Glenum
Laura Carter04.11.13
More mermaid drams explored in Lara Glenum’s forthcoming poetry-drama Pop Corpse!
Floating on the Surface
Thomas Moore04.08.13
Thomas Moore heads to the PC Beach of the mind and revels in the shallows of Harmony Korine’s Spring Breakers.
Haute Surveillance as The Real Thing
Laura Carter04.03.13
Looking through Yeux-Verts at Johannes Göransson’s Haute Surveillance, the cross-genre trek back to the mansion of the Father.
