ARTICLES BY Jeff T. Johnson

Book Album Book: Angel of Death

Jeff T. Johnson


The first Book Album Book of 2019 is all about Cat Power’s Wanderer.


Book Album Book: You Aren’t Here

Jeff T. Johnson


“If albums are literature, what sort of literature are they?” Jeff T. Johnson returns with a James Baldwin-inspired meditation on affect and emotion as delivered through song.

Father John Misty_ God’s Favorite Customer

Book Album Book: Guilty Pleasures

Jeff T. Johnson


The latest from Jeff T. Johnson’s Book Album Book takes a look at why we like what we like when we like it, how we think about those things, and where to go from here.


Book Album Book: Snail Mail, Lush

Jeff T. Johnson


The September edition of Jeff T. Johnson’s Book Album Book column hones in on the warm, lovesick sounds of Snail Mail’s Lush.

la luz

Book Album Book: La Luz, Floating Features

Jeff T. Johnson


The third installment of Jeff T. Johnson’s Book Album Book column sidles up alongside Los Angeles four-piece La Luz’s latest album, Floating Features.


Book Album Book: Parquet Courts, Wide Awake!

Jeff T. Johnson


“No apologies / and fuck Tom Brady,” sings Parquet Courts in the second edition of Jeff T. Johnson’s Book Album Book, this month on the review of their new album Wide Awake!”


Book Album Book: Courtney Barnett’s Tell Me How You Really Feel

Jeff T. Johnson


Introducing: Book Album Book, a new column by Jeff T. Johnson that looks to read albums as cohesive works of literature. This week, Johnson kicks us off with an introduction to the series, followed by a study of Courtney Barnett’s Tell Me How You Really Feel.

forest fog


Jeff T. Johnson


“To the extent the book is every book, the book is every book the book may be.” New poetry by Jeff T. Johnson.


As We Here: Destroyer, Kaputt (double-LP vinyl issue)

Jeff T. Johnson


Jeff T. Johnson reviews the double LP release of Destroyer’s Kaputt. More than a recount of Dan Bejar’s usual brilliance & heavy thoughts on a record of smoother than usual vibes – with this special edition, we look inside the songster’s ellipses: "If most lyric sheets disappoint because they banalize the vocals, Kaputt’s sheet is a fair representation—or recollection—of what goes on on the album," Johnson riffs alongside/through Bejar.


The New Hybridity: “Bird Lovers, Backyard” by Thalia Field and “Floats Horse-floats or Horse-flows” by Leslie Scalapino

Jeff T. Johnson


What constitutes hybrid writing?  Select from the following list: a) a combining of different literary forms, b) literary collage, c) literary collaboration, d) a compressing and combining of words and phrases.  In Bird Lovers, Backyard, Thalia Field applies her hybrid poetry form to a biographical work on Nazi-sympathizing physiologist Konrad Lorenz and a consideration of the last member of the now-extinct dusky seaside sparrow species/sub-species — a bird that lived out its final days in the Walt Disney World Resort.  Float Horse-float or Horse-flows is the final work published by Bay Area experimental writer Leslie Scalapino before her death last May.  Her friend, collaborator and longtime Fanzine contributor Kevin Killian described her in an obituary in The Bay Citizen as a spiritual writer with a beautiful voice and a great sense of humor.