Sexual Discovery & Disorientation in Chloe Caldwell’s Women
Courtney Maum12.04.14
Courtney Maum tackles the destructive love affair at the center of Chloe Caldwell’s Women.
“WE ARE DETERMINED OUR AUTHORITY SHALL BE FULLY RESPECTED”: Fiddle Tunes and Primitive Selfies in the Techie Heart of Darkness
Jacob Sunderlin12.01.14
Jacob Sunderlin wrestles with the utopian techie promises of the bay area and the stranger, more patience-demanding work released by Dust to Digital.
That Kind of Trash: A Review of Ugly Girls
Jaime Fountaine11.25.14
Jaime Fountaine tackles the memories of youth, the suburbs, and trash sparked by Lindsay Hunter’s Ugly Girls.
Language Game or Echo Chamber? A Review of Emily Skillings’s Backchannel
Lucy Tiven11.24.14
Can a bird still be powerful in a poem? Emily Skillings’s chapbook Backchannel provides positive evidence. Lucy Tiven reviews.
A Review of Mallory Whitten’s Collected Poems & Stories
Zach Schwartz11.18.14
Mallory Whitten’s debut collection gathers a wide range of styles into a coherent, surprising whole. Zach Schwartz reviews.
A Review of Wong May’s Picasso’s Tears
Paul Cunningham11.13.14
Composed over 34 years, Wong May’s latest collection harbors a mutative introspection on violence, art, America. Paul Cunningham reviews.
A Review of Lydia Millet’s Magnificence
Stacey Levine11.11.14
Lydia Millet’s latest extends a long track record of fearless, unnerving fiction. Stacey Levine reviews.
Want as Oblivion: A Review of Merritt Tierce’s Love Me Back
Weston Cutter11.06.14
Weston Cutter reviews Merritt Tierce’s tough and moving debut novel, Love Me Back.
Unequal Temperament: A Review of Aphex Twin’s SYRO
Nicholas Grider11.03.14
A historical and aesthetic-driven look at the context and affect of the first album appearing from Aphex Twin’s Richard D. James following more than a decade of silence.
From Hitchcock to Jim Thompson: A Review of The Mad and the Bad
Mark Asch10.28.14
New blood fills the rerelease of Jean-Patrick Manchette’s 1972 novel, The Mad and the Bad. Mark Asch reviews.
