RESULTS FOR Features

Grand Rapids: a constellation of pieces that tells one true story

Henry Hoke

03.16.15

A personal essay from Henry Hoke. “I obey and the horse walks beside me, parallel / we head south”

What About Nathan? On Top Dogs, Underdogs, and Sore Losers

Lucy Tiven

03.12.15

What is an underdog? What is a sore loser? Where do either fit into our contemporary consciousness? Lucy Tiven considers these questions and others in relation to Nathan the Bloodhound, Elvis Presley, Kanye, Paul Gösch, and the author herself.

Painters Probably Have Their Own Challenges: An Interview with Bruce Covey

Daniel Beauregard

03.10.15

Daniel Beauregard sits down with poet and publisher of Coconut Books, Bruce Covey, for a discussion on reading, the machinery of poetry, and his latest book, Change Machine, as well as two new poems.

Existentialism at Fifteen Baby-And-Me Movies

Sara Finnerty

03.09.15

Sara Finnerty on watching movies last year with her new baby, and the associated sadness/lonliness/bliss of the first few months of motherhood.

The Dodos vs. Crunge

Weston Cutter

03.05.15

Weston Cutter reviews the new Dodos album, Individ, while considering what made the band’s breakthrough, Visiter, so strange and glorious and good.

Savage Park: An Interview With Amy Fusselman

Courtney Maum

03.03.15

Courtney Maum interviews Amy Fusselman about her newest book, Savage Park.

Articulatory Organs and Hindi Sounds

John Rufo

03.02.15

A lyric essay by John Rufo on learning Hindi. “Hindi is a very scientific language.”

It’s Not A New Phenomenon: An Interview with Ben Nadler

Andrew Duncan Worthington

02.26.15

Andrew Worthington catches up with Ben Nadler about his punk retrospective, Punk in NYC’s Lower East Side, 1981-1991.

Create Your Own Atrocity: Drew Buxton’s “Two Stories”

The Fanzine

02.25.15

The third and final winner of the Create Your Own Atrocity contest, “Two Stories” by Drew Buxton.

EVERYTHING IS GOOD: THE ART OF DAVID SHRIGLEY

Ryan Ridge

02.24.15

Ryan Ridge takes a close look at how the art of David Shrigley influences his writing, life and death, and fear.