Antonio Gaudi on Criterion DVD
Andy Beta05.23.08
Is a work of art the sum of its whole? Or a collaborative event between people and subjects – when is one bestowed the honor of creator? This question gets especially blurry when talking about the arts of film and architecture, with so many coming together to make a final product. Architect Antonio Gaudi believed he answered to one master – God. In Japanese filmmaker Hiroshi Teshigahara’s movie about Gaudi, now on Criterion DVD, we’re left to ponder questions about the notion of the autuer, as in the end it’s one of Teshigahara’s collaborators whose brilliance shines over both subject and author. Andy Beta reviews the DVD Antonio Gaudi (1984).
Interview with Director John Gianvito
Benjamin Strong05.04.08
Benjamin Strong talks with director John Gianvito, whose recent documentary Profit motive and the whispering wind, takes us to the places of memory for some of this country’s defining heroes on the flip side of history. The movie recently screened at New York’s Tribeca Film Festical.
Hallelujah and Hail Satan
Mark Asch04.25.08
It’s not unusual for a rock musician—like Robert Johnson playing the blues—to have sympathy for the Devil. Mark Asch takes us to the crossroads, where Black Sabbath, The Mountain Goats’s John Darnielle, and the Man of Wealth and Taste himself commune.
Tom Fischer is Dead (but still giving interviews)
Adam Ganderson04.07.08
Though he may blog now at a site called fischerisdead, Hellhammer founding member Tom (Warrior) Fischer, one of the originators of the black metal sound, is still very alive and talking. Adam Ganderson catches up with Fischer on the cusp of the launch of a book about Fischer’s short lived, legendary band.
Curtains for Richard Widmark
Kevin Killian03.28.08
“Has any star, bar Arthur Kennedy, been so unjustly forgotten?” writes Kevin Killian about screen legend Richard Widmark, who died this week at age 93. If you’re under 40, you probably know Widmark only as a staple of 1970s schlock—a supporting star in everything from Murder on the Orient Express to Rollercoaster to The Swarm and Coma. But as Killian argues, Widmark was a precursor of the Robert DeNiro school, an actor who plumbed the timorous and venal corridors of the American male psyche before it was fashionable to do so.
Yeah Right: A Brief History of Skateploitation Cinema
Benjamin Strong03.20.08
As a long time fan of Gus Van Sant and a long time (and still active) skateboarder, Benjamin Strong sees the director’s latest film, Paranoid Park, as an opportunity to look back at the history of skateploitation films (both Hollywood and "indie") as well as the parallel history of "true" skater-produced film and video.
Review of Dangerous Laughter by Steven Millhauser
Mark Asch03.07.08
Worlds within words within worlds. Mark Asch tackles the infinite regression of Steven Millhauser’s latest short story collection.
No Place For Old Men at the Oscars 2008
Benjamin Strong02.25.08
While last year’s ceremonies may have reveled in the past, the 2008 Oscars were all about youth and beauty. The old men got flat out snubbed this year, especially in the supporting role category, Benjamin Strong argues.
Oscar Party 2008: Blood on the Tracks
Kevin Killian02.25.08
Kevin Killian gets together with friends at his San Francisco apartment to vote on the Oscars (he and Drew, Stephen, Emily, Minette, Maizie, Georgette, etc mentioned in the review). It’s the 3rd time for Fanzine that he’s sent us their take, and again his scorecard isn’t matching up. Seems to be a year in which he might have titled the piece: "No Country for Anyone but Brits and Flukes." This year there is blood indeed! Art by Danny Jock.
Forget the Hits: Here is Animal Collective
Ross Simonini01.31.08
Ross Simonini will walk a mile (or drive all the way to Utah) for an Animal Collective show. Why? Not to sing along to the hits, because the AC homies don’t play those. But they do give their all nonetheless, and always something new, on the petri dish canvass some call a stage.
