Sometimes We Coincide: A Conversation Between Laura Theobald and Sean Collins
Laura Theobald & Sean Collins03.11.19
Laura Theobald and Sean Collins in conversation upon discovering their shared tactic of using the iPhone’s autopredict feature to generate poetry, as well as on #metoo, writing from discomfort, and more.
Cruise in a Heart-Shaped Carwash: A Review of K. Michelle Dubois’s Harness
Randal O'Wain03.07.19
Foundational Atlanta singer-songwriter K. Michelle Dubois returns with her third solo album, Harness, engaging new terrain between the underground and mainstream pop, a la the Breeders. Randal O’Wain reviews.
Come With Me
Lisa Korzeniowski03.06.19
“I made you wear that wig. I put lipstick on you and you liked it. I pretended you were my sister.” Fiction by Lisa Korzeniowski.
Book Album Book: Music for Meditation
Jeff T. Johnson03.04.19
Jeff T. Johnson’s Book Album Book returns with a multidimensional meditation on Kaitlyn Aurelia Smith’s 2013 album Tides.
Three Poems
RC Miller03.01.19
“More animals are reincarnated as humans than ever before.” Poetry by RC Miller.
Dead Babies
David Peak02.27.19
“The colors of the dark relaxed into a warm wrap of orange that haloed the horizon.” Fiction by David Peak.
Oscars Distracted
Kevin Killian02.25.19
Kevin Killian’s annual Oscars rapid-react tunes in on what went missing during a period of declining ratings and social scandal.
Pornography as a Model for Consensual Sex and Feminism
Nancy Jainchill02.22.19
Nancy Jainchill takes an inside look at how the increasing influence of feminism in the adult entertainment industry, both on and off set, now provides a more ethical model for consensual sex than mainstream culture.
“The Massacre of Bowling Green” / “Bezos & Me”
Lucas Burkett02.20.19
“They won’t kill us? Ok.” Poetry by Lucas Burkett.
“Neither a lie nor a confession” : A Review of Strike a Prose: Memoirs of a Lit Diva Extraordinaire
Meghan Lamb02.18.19
Conceptions of the real, unreal, and hyperreal converge in Tim Jones-Yelvington’s polyvocal hybrid novel, forming a continuously shifting “kaleidoscope of cultural tropes and myths of queer identity.” Meghan Lamb reviews.
