RESULTS FOR Reviews

Two Movies With Sasha Fletcher

Sasha Fletcher

03.27.14

Have you ever wanted to pop a bowl of popcorn and watch a movie with Sasha Fletcher? All of your dreams have come true as he reviews Blue Valentine and Melancholia.

Wake Up For The First Time Again

Joyelle McSweeney

03.26.14

A new translation of The Metamorphosis evokes shades of Gus Van Sant-like youth. Joyelle McSweeney reviews.

Daniel Bailey’s Gather Me

Mark Baumer

03.19.14

Daniel Bailey brings love and money together with dead astronauts. Mark Baumer reviews.

A Review of Tanya Olson’s Boyishly

Weston Cutter

03.06.14

Weston Cutter fumbles with trying to articulate exactly what Tanya Olson’s doing, and how and why it’s so compelling, in her collection, Boyishly.

A Review of Joshua Corey’s Beautiful Soul: An American Elegy

Laura Carter

02.26.14

An early look at Joshua Corey’s An American Elegy, a strategic exploration of the terrain between mother and detective. Laura Carter reviews.

Stop Worrying and Love Gary Shteyngart: A Review of “Little Failure”

Nate Waggoner

02.20.14

Barbaric asthma cures, hipster codes, and gradations of privilege in the latest work from publicity-caricature-nee-author Gary Shteyngart. Nate Waggoner reviews.

Synopses of the New York Times Best Seller List Based Solely on Their Titles

Brian Warfield

02.06.14

Brian Warfield offers this enlightening summary of NYT Best Selling books that he’s never read and most of us don’t care about.

A Review of Lonely Christopher’s Death & Disaster Series

Joyelle McSweeney

02.04.14

Warhol, the occult, and money-logic swarm together in Joyelle McSweeney’s exploration of Lonely Christopher’s latest.

So Much Beautiful Darkness: A Review of The Desert Places

James Yates

01.30.14

James Yates takes a look at the history of evil, and reviews the newest from Amber Sparks and Robert Kloss, featuring dope illustrations from Matt Kish.

Let the Self-Destruction Continue

Joe Hall

01.27.14

Joe Hall takes us on a guided search through the small press archives at SUNY Buffalo, cataloguing an array of the strange forms of media employed throughout many years of creative publication.