FANZINE

THE TOXIC AND THE LYRIC IV: On Anaïs Duplan: Radical Intimacy as New History Poem; As Wound and As Co-Body; the Shaking Apart of Robert Lowell; Strange Fruit as IED

12.19.17

The fourth and final installment in Joyelle McSweeney’s column, calling on Suzan-Lori Parks, Anaïs Duplan, Robert Lowell, and more, begins with a question: “Could the Present itself be a Mouth of Hell–a site, a stoma, a membrane where absence and presence of the Past is painfully mediated?”