Sometimes We Coincide: A Conversation Between Laura Theobald and Sean Collins

Laura Theobald & Sean Collins

03.11.19

Laura Theobald and Sean Collins in conversation upon discovering their shared tactic of using the iPhone’s autopredict feature to generate poetry, as well as on #metoo, writing from discomfort, and more.

Cruise in a Heart-Shaped Carwash: A Review of K. Michelle Dubois’s Harness

Randal O'Wain

03.07.19

Foundational Atlanta singer-songwriter K. Michelle Dubois returns with her third solo album, Harness, engaging new terrain between the underground and mainstream pop, a la the Breeders. Randal O’Wain reviews.

Come With Me

Lisa Korzeniowski

03.06.19

“I made you wear that wig. I put lipstick on you and you liked it. I pretended you were my sister.” Fiction by Lisa Korzeniowski.

Book Album Book: Music for Meditation

Jeff T. Johnson

03.04.19

Jeff T. Johnson’s Book Album Book returns with a multidimensional meditation on Kaitlyn Aurelia Smith’s 2013 album Tides.

Three Poems

RC Miller

03.01.19

“More animals are reincarnated as humans than ever before.” Poetry by RC Miller.

Dead Babies

David Peak

02.27.19

“The colors of the dark relaxed into a warm wrap of orange that haloed the horizon.” Fiction by David Peak.

Oscars Distracted

Kevin Killian

02.25.19

Kevin Killian’s annual Oscars rapid-react tunes in on what went missing during a period of declining ratings and social scandal.

Pornography as a Model for Consensual Sex and Feminism

Nancy Jainchill

02.22.19

Nancy Jainchill takes an inside look at how the increasing influence of feminism in the adult entertainment industry, both on and off set, now provides a more ethical model for consensual sex than mainstream culture.

“The Massacre of Bowling Green” / “Bezos & Me”

Lucas Burkett

02.20.19

“They won’t kill us? Ok.” Poetry by Lucas Burkett.

“Neither a lie nor a confession” : A Review of Strike a Prose: Memoirs of a Lit Diva Extraordinaire

Meghan Lamb

02.18.19

Conceptions of the real, unreal, and hyperreal converge in Tim Jones-Yelvington’s polyvocal hybrid novel, forming a continuously shifting “kaleidoscope of cultural tropes and myths of queer identity.” Meghan Lamb reviews.