“Who is speaking to you? Is it the man with the crooked nose or is it the woman with the crooked chin? And what’s that noise?” Paul Cunningham reviews Joshua Kornreich’s richly styled and mysterious new novel, Horsebuggy.
How do we explore death? Particularly, through the eyes of the death of a loved one, to HIV/AIDS? Paul Cunningham reviews Farid Tali’s vulnerable and brutal Prosopopoeia.
“Prairie M. Faul’s poems are multifaceted and the whetstone—the stone used for sharpening—is the skin of this stunning house of a book.” Paul Cunningham reviews In the House We Built.
Evoking textures from likes of Inland Empire and The Battlefield Where the Moon Says I Love You, Marty Cain’s Kids of the Black Hole traces a between dreamscape and wasteland. Paul Cunningham reviews.
Aase Berg in conversation with Paul Cunninghan upon the release of her latest book, Hackers, translated from the Swedish by Johannes Göransson.
Paul Cunningham spoke with filmmaker Dominic Rodriquez about his debut documentary, Fursonas, which provides a complex, controversial inside look at the personal lives of furries in search of what being a furry really means.
Don Mee Choi’s Hardly War collages photographs, equations, and verbal shrapnel tracing the ghostly damage broken open in wartime Korea and Vietnam. Paul Cunningham reviews.
Dawn Lundy Martin’s assemblage of bodies, debris, and mechanisms of control might be one of the most important (and most overlooked) books of last year. Paul Cunningham reviews.